Start of class: "Fascination Street (Extended Mix" by the Cure from Mixed Up (1990)
"At 7" by Britta Persson from Kill Hollywood Me (2008)
Exam track 1: "Papa's Got a Brand New Bag" by James Brown
Exam track 2: "My Girl" by the Temptations
Exam track 3: "Oh Boy" by Buddy Holly
Exam track 4: "My Generation" by the Who
Exam track 5: "Wouldn't It Be Nice" by the Beach Boys
Start of class: "She's Out Of My Life" by Michael Jackson from Off The Wall (1979)
Bruce Springsteen example: "Born to Run" from Born to Run (1975)
Bruce Springsteen example: "State Trooper" from Nebraska (1982)
Philly Soul example: "Back Stabbers" by the O'Jays (1972)
Krautrock/Europop example: "Autobahn" by Kraftwerk from Autobahn (1974)
Disco example: "You Should Be Dancing" by the Bee Gees from Children of the World and the film Saturday Night Fever (1976)
Disco example: "Love to Love You Baby (7" single version)" by Donna Summer (1975)
End of class: "Balloon Man" by Robyn Hitchcock and the Egyptians from Globe of Frogs (1988)
Start of class: "Stranger's Room" by John Lennon from John Lennon Anthology (1998)
"In The Neighborhood" by Tom Waits from Swordfishtrombones (1983)
Singer-songwriter example: "You've Got a Friend" by Carole King from Tapestry (1971)
Crossover Country example: "El Paso" by Marty Robbins from Gunfighter Ballads and Trail Songs (1959)
Example of the Nashville sound in Country: "Kiss An Angel Good Mornin'" by Charley Pride from Charley Pride Sings Heart Songs (1971)
Progressive country example: "Pancho and Lefty" by Townes van Zandt from The Late Great Townes van Zandt (1972)
Outlaw country example: "Whiskey River" by Willie Nelson from Shotgun Willie (1973)
Country rock example: "Take It Easy" by the Eagles from Eagles (1972)
Arena rock example and end of class: "More Than a Feeling" by Boston from Boston (1976)
Start of class: "Listening to Otis Redding During Christmas" by Okkervil River from Golden Opportunities Mixtape (2007)
Heavy Metal example: "Black Sabbath" by Black Sabbath from Black Sabbath (1970)
Heavy Metal example: "Paranoid" by Black Sabbath from Black Sabbath (1970)
Southern Rock example: "Ramblin' Man" by the Allman Brothers Band from Brothers and Sisters (1973)
Progressive Rock example: "Comfortably Numb" by Pink Floyd from The Wall (1979)
Rock as Spectacle example: "Deuce" by Kiss from Kiss (1974)
Glam Rock example: "Ziggy Stardust" by David Bowie from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
End of class: "Spectacle" by Sean Lennon from Friendly Fire (2006)
Start of class: "May Day" by Elvis Perkins from Ash Wednesday (2007)
"Walou Walou" by Khaled from Sahra (1996)
New York counter-culture example: "Heroin" by the Velvet Underground from The Velvet Underground & Nico (1967)
Example of hard rock: "Whole Lotta Love" by Led Zeppelin from Led Zeppelin II (1969)
Example of hard rock: "Immigrant Song" by Led Zeppelin from Led Zeppelin III (1970)
End of class: "Up On The Roof" by the Drifters (1962)
Start of class: "For Real" by Okkervil River from Black Sheep Boy (2005)
"We Believe In Happy Endings" by Emmylou Harris with Early Thomas from Duets (1990)
Folk example: "Mr. Tambourine Man" by Bob Dylan from Bringing It All Back Home (1965)
Folk Rock example: "Mr. Tambourine Man" by the Byrds from Mr. Tambourine Man (1965)
San Francisco counter-culture example: "Piece of My Heart" by Big Brother and the Holding Company (Janis Joplin, lead singer) from Cheap Thrills (1968)
San Francisco counter-culture example 2: "White Rabbit" by Jefferson Airplane from Surrealistic Pillow (1967)
London counter-culture example: "Purple Haze" by the Jimi Hendrix Experience from Are You Experienced? (1967)
Los Angeles counter-culture example: "Break On Through (To the Other Side)" by the Doors from The Doors (1967)
End of class: "Ever Find Yourself Running" by Emitt Rhodes from Emitt Rhodes (1970)
Start of class: "Prodigal Son" by Sam Amidon from All Is Well (2008)
Example of changing Motown: "I Want You Back" by The Jackson 5 (1969)
Example of the Folk Music Revival: "Come All Fair Maids" by Pete Seeger (ca. 1955)
Example of the Folk Music Revival: "Tom Dooley" by the Kingston Trio (1959)
Early Bob Dylan example: "Blowin' In The Wind" from The Freewheelin' Bob Dylan (1963)
Example of folk antipathy for rock: "I Dig Rock and Roll Music" by Peter, Paul and Mary from Album 1700 (1967)
Bob Dylan's "Electric" Period example: "Like a Rolling Stone" from Highway 61 Revisited (1965)
Start of class: "Girls & Boys" by Blur from Parklife (1994)
"La Dernière Pluie" by Emily Loizeau from Pays sauvage (2009)
Example of Otis Redding 1: "These Arms of Mine" (1962)
Example of Otis Redding 2: "Hard to Handle" from The Immortal Otis Redding (1967)
Example of Wilson Pickett: "In the Midnight Hour" from The Exciting Wilson Pickett (1966)
Example of Aretha Franklin: "Respect" (1967)
Example of Marvin Gaye 1 - "How Sweet It Is (To Be Loved By You)" (1964)
Example of Marvin Gaye 2 - "What's Going On" from What's Going On (1971)
Example of changing Motown: "Living for the City" by Stevie Wonder from Innervisions (1973)
End of class: "Fit" by Better Than Ezra from Paper Empire (2009)
"Without Love" by Tinted Windows from Tinted Windows (2009)
"Can't Stop Thinking About You" by Brett Dennen from Loverboy (2011)
Start of class: "Waltz #1" by Dustin O'Halloran from An American Affair (2009)
"Laissez-moi Tranquille" by Warren Zevon from My Ride's Here (2002)
"Forgotten" by Avril Lavigne from Under My Skin (2004)
Ray Charles example: "Hallelujah, I Love Her So" (1956)
Ray Charles example: "What'd I Say, Pt. 1" (1959)
James Brown example: "Please Please Please" (1956)
James Brown example: "Papa's Got a Brand New Bag" (1965)
James Brown example: "Say It Loud - I'm Black and I'm Proud" (1968)
Example of Stax sound: "Green Onions" by Booker T & the MGs (1962)
End of class: "Love Lockdown" by Kanye West from 808s and Heartbreak (2008)
"Things We Said Today" by the Beatles from A Hard Day's Night (1964)
"Runaround Sue" by Dion and the Belmonts (1961)
Start of class: "ManWomanBoogie" by Q-Tip from The Renaissance (2008)
"Sous quelle étoile suis-je né?" by Michel Polnareff (1966)
Example of Chicago blues: "I Just Want to Make Love to You" by Muddy Waters (1954)
Example of early Rolling Stones: "I Just Want to Make Love to You" (1964)
The Rolling Stones example: "Satisfaction" (1965)
The Rolling Stones example: "You Can't Always Get What You Want from Let It Bleed (1969)
The Who example: "My Generation" (1965)
The Who example: "Pinball Wizard" from Tommy (1969)
End of class: "Conneely of the West" by British Sea Power from Man of Aran (2009)
